The Lemon Orchard In Paperback

The Lemon Orchard

The Lemon Orchard

A heartrending, timely love story of two people from seemingly different worlds—at once dramatic and romantic. Luanne Rice is the beloved author of twenty-two New York Times bestsellers. In The Lemon Orchard, one of her most moving and accomplished works yet, Rice gives us an affirming story about the redemptive power of compassion, set in the sea- and citrus-scented air of the breathtaking Santa Monica Mountains.It’s been five years since Julia’s daughter died. When she arrives to housesit at her uncle’s home in Malibu, she longs only for peace. But to her surprise, Julia becomes drawn to Roberto, the handsome man from Mexico who oversees the lemon orchard. When Roberto reveals his own heartbreak, Julia recognizes his pain, but their stories have one striking difference: Roberto’s daughter was lost—and never found. What ensues is a page-turning search across the U.S. and Mexican border and a captivating novel of love, both enduring and unexpected. “Entrancing.” —People (***)

"Rice’s fans will appreciate the evocative setting and unconventional romance, as well as the harrowing . . . depictions of border crossing and the fascinating parallels drawn between Julia’s research interests (she studies the Irish who arrived in America over a century ago) and modern-day Mexican immigrants." Publishers Weekly

It Couldn't Happen To Me

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Cassat_CupOfTea

  IT COULDN'T HAPPEN TO ME

I met him right after my mother died.  We fell in love right away.  In retrospect there were red flags, but I didn't know how to read them.

He had a hard luck story, an awful childhood.  Hearing about it filled me with compassion and a desire to help him.  Now, looking back, I don't know how much of it was real.  Lying came with the package.

I saw the good at first.  He was friendly, funny, interested in life.  When I talked, he seemed to anticipate my next word, seemed to understand me better than I did myself.  He listened to me talk about my mother's long death, and he'd hold me and tell me she was up in heaven.  He meant it literally: puffy white clouds and angels with harps.  This was new for me, a person who spoke of death in such simple, childlike ways, but I latched on and accepted the comforting image.

He also said, from our first night together, that we were Made in Heaven.  "Heaven" came up frequently.  I was a once madly devout child but had fallen away, and he was a serious Catholic, and I felt spellbound by the thought of my old faith, embodied by this man who said he loved me.  We'd walk through the city and many walks included a stop in church.  He'd light a candle and kneel, head bowed in deep prayer, and somehow that made my heart open a little more.

The beach; he did love the ocean, and so did I.  We could spend hours walking the tideline in any weather, swimming when we could, lying on the beach and staring at the sky.  He told me he loved surfing.

The courtship happened fast--a whirlwind romance--and lasted until we were married six weeks after meeting.  (Not my first marriage.)  Right after I said "I do" everything changed.  He quit his job so I would support him, disappearing whenever he felt like it.  He didn't speak to me so much as growl.

I was strong, "myself," at the beginning.  But he wore me down.  I was one way the day we married, and quite a different way by the time I finally left.  My bones aren't broken, he never gave me a black eye.  Yet his need for control depleted me terribly--to this day I'm shocked to think it happened at all.

When he yelled, his voice boomed so loud it reverberated through my bones.  His eyes scared me.  He raged at me.  Or he'd go silent for days, not saying one word but giving off hateful energy, brushing past me hard enough to knock me aside.  His physical changes were extreme and violent, frequently instantaneous; I felt I was watching Dr. Jekyll turning into Mr. Hyde.

After a while we'd make up and he'd beg me to understand HIS pain, and not to leave.  He could be so charming, seeming to love me.  People on the outside saw a handsome, friendly man.  Sometimes I saw him that way, too.

I had close women friends.  I would confide in them.  Some got sick of seeing me drain away; they must have felt frustrated to watch me be stuck in such a bad, destructive relationship.  They would say something real to me, and I would agree, say that I had to leave.  Then he'd be nice again, and I'd remember the harsh words my friend had spoken about him.  Eventually my friends drifted away.  Or I did.

Seeing the relationship was like looking through a prism: now it looks this way, now it's completely different.  What is real?  

His first wife is a great woman.  We respected each other from the beginning and became good friends as we went along.  She was one of the few people I could really open up to--because she got it.  While pregnant with their child, she'd been hammered on the head by him, one night when he'd come home late from the grocery store where he worked.  She still has skull pain and hearing loss from that beating.

He had gotten arrested for beating other women--after his first wife there were girlfriends, and incidents, and nights in jail.  He learned not to use his fists.  If you don't leave marks, you won't get arrested.  He told me that he had once broken a woman's jaw in three places, the message being that he could do that to me.

Why did I stay with him?

Check out the Cycle of Violence diagram.  That part when you decide to believe his explanations, is called the fantasy or honeymoon, and it happens over and over, and it's unbelievably destructive.  Each time I decided to stay, it chipped away a little more of myself.

Cycleviolence
Cycleviolence

I used to drive past a domestic violence center in a nearby town, but I never entered--wasn't that for women who were bruised and bleeding?

Holidays became a time to brood and suffer.  He'd brood, I'd suffer.  Eventually we shut everyone out.  He liked to sit in a big armchair, right in front of the fire, staring at the flames.  If I interrupted his fire-watching, he'd glare as if he wanted to roast me.  I spent many many hours feeling dread and fear.  Paradoxically, he was big on sending out Christmas cards--it was all about the show, giving the appearance of a marriage.  He kept a detailed list of people who would receive our cards each year.  He wrote them out and addressed the envelopes.  He'd sign them, "May your New Year be blessed!"  He spoke about God and religion frequently, had prayer cards and rosary beads and miraculous medals and spiritual books.  Meantime he wouldn't be speaking to me.

Driving ragefully: it got worse toward the end.  Once we were heading to Woods Hole, and I said or did the "wrong" thing, and he told me he was going to kill us both, drive us into a tree.  He sped up, onto the shoulder--I felt and heard that buzzing friction of pavement designed to let drivers know they're going off the road.  I was terrified.  

Sometimes there is an actual incident that tells you you've had enough.  There is also a cumulation of everything that has happened all along.  That day of road rage was the end for me--I told him I wanted a divorce, and this time I meant it. When his ex-wife's father heard, he called me and said, "He's left a lot of wreckage in his wake."

I went to that domestic violence center I'd passed so many times, and found loving support.  The women there really helped me realize emotional battering is as bad as any other kind.  I wish the courts and our society would recognize that emotional and psychological abuse leaves scars which, although you can't see them, are just as terrible and deep.

At one point I began writing a novel (writing has always saved me) about a woman who was married to a man with secrets.  The husband was a white collar criminal, a banker who had committed fraud.  Researching the character, I spoke to an FBI agent in the Oklahoma City field office.  I told him the scenario, then told him about my own marriage.  He told me I should try to talk to women he was involved in with before me, to see if he had treated him the same way. 

I remembered one woman's name.  I tracked S down and called.

"I've been waiting for your call," she said, when I identified myself.

She knew he wouldn't change.  That is a pattern with abusers--the behavior continues on and on.  She described his patterns--so familiar to me, his abuse, the way he had made her feel it was all her fault even while taking every single thing she had, sucking the life out of her.  I loved her then, and I love her to this day, and am forever grateful to her for sharing with me.  She came to court, to support me in the divorce.  He went after everything I had, hired a lawyer who made sure the divorce would go on a long time--trying to wear me down--an abusive divorce to follow an abusive marriage.  I will never forget the look on his face when he saw his old girlfriend, my new friend, walk into the courtroom.  

Here's what I know: I'm strong and independent.  I have wonderful friends and family, including his ex, and a life and career I love.  Domestic violence can happen to anyone.  To learn more about that, and to get help, I recommend reading Patricia Evans's powerful book The Verbally Abusive Relationship, and to visit websites such as The National Coalition for Domestic Violence and the National Domestic Violence Hotline.

My own linked novels, Summer's Child and Summer of Roses, as well as Stone Heart, The Perfect Summer, and Little Night deal with domestic abuse.  I am proud to be involved with the Domestic Violence Clinic at Georgetown University Law Center, headed up by Deborah Epstein.  Law professors and students advocate for victims of abuse in Washington, DC.  They take their cases to court and fight for them.  Their work is extraordinary.

Good luck to anyone reading this--with love and support to you.  

(The painting at the top of the page is Tea by Mary Cassatt.)

My novel LITTLE NIGHT deals with domestic violence and its devastation on the women in one family... Thank you to all the readers who've written me with their own stories. I am honored and grateful.

EVERY MOTHER COUNTS Book Club Pick

Here is a note from Elizabeth Benedict: PageLines- what-my-mother-gave-me.jpg"I'm thrilled that Christy Turlington's fabulous organization EVERY MOTHER COUNTS chose WHAT MY MOTHER GAVE ME as its book club pick this week. Turlington writes about her favorite gift from her mother: 'While I am just grateful to still have my mother in my life, the gifts she gave me that mattered most were the ones she gave herself: Mothering my sisters and me, traveling the world and continuing her education. The fact that she was born in El Salvador provided me with an early connection to a larger world than the one I would have known otherwise...'  Shout out to Judith Hillman Paterson, Luanne Rice, Elinor Lipman, Caroline Leavitt, Karen Karbo, and all the other wonderful contributors to the anthology."

Liz edited and wrote for WHAT MY MOTHER GAVE ME.  My essay is Midnight Typing, about how my mother gave me the gift of...perhaps you'll read it.

I am touched by Christy Turlington's words about her favorite gifts from her mother, and about the important work she is doing. According to a story in The New York Times, the goal of her organization is to help "people understand that pregnancy and childbirth, even though it’s a joyous experience for so many women, really is a risky endeavor for millions of other women,” according to Erin Thornton, executive director, who happens to be expecting right now herself. “To this day, hundreds of thousands of women will die in pregnancy and childbirth, but 90 percent of those could be prevented just with basic, simple access to health care.”

 

PW Review of The Lemon Orchard

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Publishers Weekly review of The Lemon Orchard:

Still devastated by grief five years after the death of her husband and teenage daughter in a car accident, Julia hopes to find solitude and solace while house-sitting at her aunt and uncle’s California estate. Amid the lush landscapes and lemon groves of Malibu, Julia does find these things—in addition to an unexpected relationship with Roberto, who oversees the estate. Roberto, an undocumented immigrant, connects with Julia over her loss: he became separated from his young daughter during their crossing from Mexico and believes her to be dead. Julia, an anthropologist specializing in movements and migrations, thinks that the little girl is still alive and sets out to find her—even if doing so means potentially losing Roberto. The plot alternates from an initially tepid pace to moments of intensity—as when the estate is threatened—that seem largely irrelevant to the developing narrative. Nevertheless, Rice’s fans will appreciate the evocative setting and unconventional romance, as well as the harrowing, if familiar, depictions of border crossing and the fascinating parallels drawn between Julia’s research interests (she studies the Irish who arrived in America over a century ago) and modern-day Mexican immigrants. Agent: Andrea Cirillo, Jane Rotrosen Agency. (July)

Reviewed on: 06/03/2013

What My Mother Gave Me

My essay Midnight Typing is included in the collection What My Mother Gave Me, edited by Elizabeth Benedict, and out now from Algonquin Books. AmazonAppleBarnes & Noble IndieBound

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Review of The Lemon Orchard

Thank you to Kris Phillips for this lovely review.  I'm lucky to have such a supportive reader. Kris Phillips - June 2013 I’ve been a huge fan of Luanne Rice’s novels for many years now and was thrilled when I won the first copy of her novel, The Lemon Orchard, in a contest on her Facebook page. I quickly devoured the wonderful book and was honored when Luanne asked me to review it for her blog. While Cloud Nine will always hold a special place in my heart as my favorite of her novels, The Lemon Orchard is now a close second. I love that Luanne believes in angels, in second chances, in the power of the human spirit, in true love and in the importance of family above all else – and she will make you a believer, too! Julia and Roberto’s story touched my heart so much; I didn’t want to put it down. As a mother to a little girl, my heart broke for them both for the loss of their daughters. The bond – the love – between these two lead characters is palpable. And the story of how Roberto and his young daughter, Rosa, try to cross the border into the United States from Mexico was so heart wrenching, I actually dreamt about it and woke up exhausted, my legs aching, my throat parched. No book has ever affected me like that! I’ve always had a strong opinion about illegal immigrants, but Luanne’s story changed my heart. I could not imagine what Roberto, Rosa and the others went through to try to make it into this country and a better life. Julia and Roberto not only find love with one another, but help to heal each other’s broken hearts over their mutual losses. While this book did leave me wanting more (don’t expect a “happily ever after” ending), it was a satisfying ending that touched my heart and gave me hope. I highly recommend this book to anyone who loves stories about the resiliency of the human spirit. It will not disappoint! Here’s hoping that Luanne is already working on a sequel.

By Kris Phillips

Excerpt From The Lemon Orchard

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Roberto

September 2012 Before dawn, the air smelled of lemons. Roberto slept in the small cabin in the grove in the Santa Monica Mountains, salt wind off the Pacific Ocean sweetening the scent of bitter fruit and filling his dreams with memories of home. He was back in Mexico before he’d come to the United States in search of goodness  for his family, in another huerto  de limones,  the lemon orchard buzzing with bees and  the voices of workers talking,  Rosa  playing  with  her doll Maria. Maria had sheer angel wings and Roberto’s grandmother had whispered to Rosa that she had magic powers and could fly.

Rosa wore her favorite dress, white with pink flowers, sewn by his grandmother. Roberto stood high on the ladder, taller in the dream than any real one would reach. From here he could see over the treetops, his gaze sweeping the valley toward Popocatépetl and iztaccíhuatl, the two snow-covered volcanic peaks to the west. His grandmother had told him the legend, that the mountains were lovers, the boy shielding the girl, and tall on his ladder Roberto felt stronger than anyone, and he heard his daughter talking to her doll. In dream magic, his basket spilling over with lemons, he slid down the tree and lifted Rosa into his arms.  She was five, with laughing brown eyes and cascades of dark curls, and she slung her skinny arm around his neck and pressed her face into his shoulder. In the dream he was wise and knew there was no better life, no greater  goodness, than  what  they already  had.  He held her and promised nothing bad would ever happen to her, and if he could have slept forever those words would be true. Sleep prolonged the vision, his eyes shut tight against the dawn light, and the scent of limones  enhanced the hallucination that  Rosa was with him still and always. When he woke up, he didn’t waste time trying to hold on to the feelings. They tore away from him violently and were gone. His day started fast. He lived twenty-five miles east, in Boyle Heights, but sometimes stayed in the orchard during fire season and when there was extra work to be done. He led a crew of three, with extra men hired from the Malibu Community Labor Exchange or the parking lot at the Woodland Hills Home Depot when necessary. They came to the property at 8 a.m.

The Riley family lived in a big Spanish colonial–style house, with arched windows and a red tile roof, just up the ridgeline from Roberto’s cabin. They had occupied this land in western Malibu’s Santa Monica Mountains since the mid-1900s. While other families had torn up old, less profitable orchards and planted vineyards, the Rileys remained true to their family tradition of raising citrus. Roberto respected their loyalty to their ancestors and the land. The grove took  up forty acres, one hundred twenty-year-old trees per acre, planted in straight lines on the south-facing hillside, in the same furrows where older trees had once stood. Twenty years ago the Santa Ana winds had sparked fires that burned the whole orchard, sparing  Casa Riley but engulfing neighboring properties on both  sides. Close to the house and large tiled swimming pool were rock outcroppings and three-hundred-year-old live oaks— their trunks eight feet in diameter—still scorched black from that fire. Fire was mystical, and although it had swept through Malibu in subsequent years, the Rileys’ property had been spared.

Right now the breeze blew cool off the Pacific, but Roberto knew it could shift at any time. Summer had ended, and now the desert winds would start:  the Santa Anas, roaring through the mountain passes, heating up as they sank from higher elevations down to the coast, and any flash, even from a power  tool,  could ignite the canyon.  It had been dry for two months straight. He walked to the barn, where the control panel was located, and turned on the sprinklers. The water sprayed up, catching rainbows as the sun crested the eastern mountains. it hissed,  soft and  constant, and  Roberto couldn’t help thinking of the sound as money draining away. Water was delivered to the orchard via canal, and was expensive.  The Rileys had told him many times that the important thing was the health of the trees and lemons, and to protect the land from fire.

He had something even more important to do before his coworkers arrived: make the coastal path more secure. He grabbed a sledgehammer and cut through the grove to the cliff edge. The summer-dry hillsides sloped past the sparkling pool, down in a widening V to the Pacific Ocean. Occasionally hikers crossed Riley land to connect with the Backbone Trail and other hikes in the mountain range. Years back someone had installed stanchions and a chain: a rudimentary fence to remind people the drop was steep, five hundred feet down to the canyon floor.

He tested the posts and found some loosened. Mudslides and temblers made the land unstable. He wished she would stay off this trail entirely, walk the dog through the orchard, where he could better keep an eye on them, or at least use the paths on the inland side of the property. But she seemed to love the ocean.  He’d seen her pass this way both mornings since she’d arrived, stopping to stare out to sea while the dog rustled through the chaparral and coastal sage. He tapped the first post to set his aim, then swung the sledge- hammer overhead, metal connecting with metal with a loud gong. He felt the shock of the impact in the bones of his wrists and shoulders. Moving down the row of stanchions, he drove each one a few inches deeper into the ground until they were solidly embedded. The wind was blowing toward the house. He hoped the sound wouldn’t bother her, but he figured it wouldn’t. She rose early, like him.

 

Reprinted by arrangement with Viking, a member of Penguin Group (USA) Inc., from The Lemon Orchard by Luanne Rice. Copyright © 2013 by Luanne Rice

Booklist Review of THE LEMON ORCHARD

The Lemon Orchard

The Lemon Orchard.

Advanced Review – Uncorrected Proof

Rice, Luanne (Author) Jul 2013. 304 p. Viking/Pamela Dorman, hardcover, $27.95. (9780670025275).

Trust Rice (Little Night, 2012), known for fiction that explores the power of family, to find the humanity in illegal immigration, a topic too often relegated to rhetoric and statistics. The story centers on Julia and Roberto, both of whom have suffered the loss of a daughter. Julia’s was killed in a car accident. Roberto’s little girl went missing as the pair crossed into the U.S. from Mexico—a trek through punishing desert that Rice depicts with visceral, heartbreaking brutality. The pair meet at the Malibu home of Julia’s aunt and uncle, where Julia is housesitting and Roberto oversees the titular orchard. An unlikely friendship forms between the two, a bond born out of shared grief, which eventually grows into a tender romance. Though Rice acknowledges the cultural chasm between her lovers, she also imbues her characters with uncommon kindness and understanding. Initially weighed down with exposition, Rice’s novel picks up steam as Julia takes up the search for Roberto’s daughter. An unexpected plot turn will leave readers begging for a sequel.

— Patty Wetli

Music from THE LEMON ORCHARD

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While writing THE LEMON ORCHARD I listened to music that inspired me.  These are songs of love, travel, connection, family, and crossing borders.  Because the music meant so much to me and the characters I was creating, I wove the songs into the novel.  They are songs of America, Mexico, and Ireland, by artists I have loved forever and others that were new to me.

I was introduced to some of the music by the man who inspired the character of Roberto.  He comes from a small town outside Puebla, Mexico, and now he lives in East LA. The story between Roberto and Julia is passionate, and the music is the soundtrack to their love.

Because I wanted you to hear the songs, I put them together in a Spotify playlist.  My own musical taste goes like this: if the song makes me feel something, goes into my heart, I'm there.  I react to music with emotion--it makes me feel, remember, ache.  Because this playlist says a lot about the novel, and because I wanted it to express my family's Irish roots and "Roberto's" Mexican roots, and because I wanted to include songs about immigration--ones I might not have heard before--I asked my friends Mark Lonergan and Becky Murray for suggestions.

Music and friendship are deeply linked.  I've included two songs by my friend Garland Jeffreys.  Becky and Mark both gave me excellent ideas--Mark, also my guitar teacher, introduced me to Tim O'Brien's music a while back--we went to see him perform at NYC's The Cutting Room back when it was in Chelsea and owned by Chris Noth.  I think it's still owned by Chris Noth. Becky and her husband Ed suggested songs by Lady Gaga and Billy Walker.  Those artists are on the playlist along with Bruce Springsteen, Lila Downs, Ry Cooder, Los Tigres Del Norte, Tom Morello, Alison Moorer, Juan Gabriel, The Chieftains, Lola Beltrán, Luis Miguel, Linda Ronstadt, Emmylou Harris, and others.

Thanks to Winnie De Moya of Viking Penguin for posting my Spotify playlist to my Pinterest The Lemon Orchard board.

Maya, we love you...

IMG_3752For so long we were four.  As someone who knows us well has said, I was the fourth cat.  I think that is true.  When you spend so much time with beings, and  you are together most of the time, your species merge.  I do know that I learned to speak their language. Cats are kindreds in the sense you never have to be your "best" (whatever that is) with them, and they meet  you where you are on any given day, in any given mood.  That has been true of my girls.  They have sat on my desk through book after book, giving me love, being the best friends and companions.

maya3Maya died on April 5.  I called her Mae Mae for a long time, but when we moved to California she wanted to be called Maya and so that's what we called her.  She was the sweetest, most loving kitty.  I think back to when she was a kitten, those white whiskers and her bright green eyes, and the way she wanted to play and play.

Sickness never took the play out of her.  She loved to take walks--back home in New York we would walk down the hallway of our apartment building, nothing much to see, but just being together as we strolled from one end of the hall to the other.  She had the cutest habit of stopping, looking up to make sure I was following, taking a few more steps, glancing up again, continuing on.  maya

 

 

 

maya walkIn California I'd sometimes take her outside.  I'm a believer in indoor kitties--too many dangers out in the world, and I am the biggest worrier around.  I'd be afraid of coyotes, cars, hawks...but by the time we reached Malibu she had a diagnosis of lymphoma--the same disease that took Maggie and, decades ago, each of my parents--and I knew she didn't have long.

So one day when she stood at the screen door smelling the jasmine and salt scented air, I opened it up and let her out.  I followed close by, never let her more than a few feet away.  I had done the same for Maggie when, a year ago, she began to die.

maya blueMaya, like Maggie, loved those hours in the garden.  We would sit together on the blue thing, and I can only imagine how good the warm sun felt on her black fur.  Her hair had started falling out in patches--she wasn't having chemo so it couldn't have been from that, but she seemed to love the breeze and the fresh air.  Heading back into the house she would stop on the stone path, glance back just the way she did in our Chelsea hallway walks, make sure I was right there, and keep going toward the house. 

She died in my arms just past noon on April 5.

Each cat has her own story.  Maggie was born on a sprawling farm of red barns and mountain laurel-covered hillsides in Old Lyme CT.  Her mother was killed by foxes when Maggie was just days old, and this tiny kitten was taken into a stone wall and fed by a squirrel mother for just a few days--enough to keep her alive.  A friend with super powers captured tiny Maggie--she was swift as a bird--and I fed her on a bottle, and she thought I was her mother, and we became each other's family.

hello maggieMaggie was a wild kitty and I was a wild woman.  This is true.  My mother's life was ending, her long illness concluding, and my way of raging against the dying of the light was to behave as recklessly as possible.

maggie among sweatersMaggie was tiny and fast as a shooting star.  She would hide in the most unlikely places.  Once she disappeared so totally I thought she was gone forever, but then she jumped down the stone chimney into the fireplace and shook the soot off her fur--she had been hiding on the smoke shelf.  Often I would climb into bed and find her under the covers--flattened and invisible to everyone but me.

mae mae copyMaya--"Mae Mae"--came into our lives when Maggie was one.  She was also a rescue cat.  I got her from Dr. Kathy Clarke, a vet in Old Lyme.  Maya was the daughter of a brave cat named Cruella for her black and white streaks.  One night when someone left the d00rs open, Cruella patrolled the kennels to keep the dogs at bay, away from her kittens.  One of her kittens was Maya, and she inherited her mother's ferocity.

maisie bookMaisie joined us a few years later.  Also a rescue cat, the only survivor of a family who died of diptheria, Maisie is skittish and fears losing everyone and everything.  She needs special attention.  Traveling upsets her--to put it so mildly.  All three were born in Old Lyme CT, raised in New York City, and traveled with me to California when, after lifetimes on the east coast and with little warning to anyone including myself, we just picked up and moved west.

I haven't written about Maya's death--or Maggie's--until now because what is there to say except that they were the dearest girls and I loved them and to say I miss them is the understatement of my lifetime?  They are together in the garden now.  Maisie and I are alone, and we are trying.  It is not easy.  For so long we were four, and now we were two.  We feel the loss.  Yes, we do.

Right now Maisie and I are forming a new relationship.  Because she was the third, the baby, she has never been the only kitty--the favorite kitty.  And for the first time in her life she is both.

maisie on ol's birthday

Memorial Day 2013

R-03-Simon-03I received this message earlier today:

Hi Luanne, I just read your Veterans Day. It was very nicely done. My father, Lt John E Drilling, replaced your father as the Bombardier in the Simon Crew. He survived the crash near Rostock, Germany on August 25, 1944. My brother and I are going to Rostock on August 25, 2013 to attend a special memorial service for Lt Simon, Lt Dzanaj,Lt Barkell, and Sgt Saint.  Jim Drilling

I was so moved to receive the note, all the more so because it arrived on Memorial Day weekend.  Although I've never met Jim Drilling, we are members of the same "Band of Cousins."  Our fathers served in World War II--flying with the Simon Crew at different times.  My father trained in the States with these men.  With John Simon as pilot, they trained in B-24 Liberators, then shipped overseas to North Pickenham, England, and flew many missions together.492bgb24-harrington air_liberator47 Northpickenham-31jan46

My father and these men had gone through so much from the very beginning, and when he was transferred to a different lead crew, he refused to leave them until his new crew forcibly carried his belongings to their Nissan hut on the air base.

R-03-Simon-02 R-03-Simon-02aOn one of the next missions Lt. John Simon and his crew were shot down.  My father went through life believing all his friends had been lost.  The story is more complicated than that.  Rolland Swank, a researcher who works mainly through the U.S. Army Air Forces website, recently contacted me.  He has been working with  Lutz Müller, a teacher in Rostock Germany, to help Mr. Müller and his students uncover information about this and other WWII crashes.  Rolland gave me this information:

When the 492nd BG was broken up, the Simon crew went to the 446th Bomb Group.  They were a lead crew with two new members, John Drilling the new bombardier and Frederick Colligan the radar operator.
 
The Simon crew flew perhaps two missions with the 446th.  The last mission was to Rostock on August 25, 1944.  The 446th lost two planes on this mission. The first plane was lost over the North Sea on the way to the target.  All crew members of that plane are still MIA.  The Simon plane, however, flew all the way to the target.  Exactly when they left the formation is still not clear, but they left the formation with two engines smoking either just before the target or at the target.  Once the Simon plane left the formation, they flew north to the Baltic Sea with the intent of flying to Sweden.  At some point perhaps just as they started across the Baltic, they turned back and flew right along the coast just west of Rostock.   You will see some maps on the Drive where we have tried to figure out their exact route.  
 
The plane flew west then south as the crew bailed out until only the pilot and copilot, Simon and Dzanaj, were left in the plane.  At that point the plane was virtually uncontrollable.  We believe Dzanaj then bailed out and Simon went down with the plane and was found in the wreckage.  Barkell, the navigator had drifted just offshore after he bailed out, and we have located a witness who saw him shot in the water by some locals who rowed out from shore in a boat.  His body came ashore many days later and was buried at Warnemunde.
 
Two other crewmen were shot by local Nazis and their  bodies where buried in a sandpit.  Later members of a local church at Steffenshagen dug up the bodies and reburied them as unknowns in the church cemetery.   We believe those two were Garnett Saint, the nose gunner, and John Dzanaj, the copilot.  
 
After the war, four bodies were recovered from the area.    Simon is still listed MIA and we suspect his body could not be identified.  One of the hopes of our investigation is to figure out what happened to Simon.
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Memorial Day 2013: I am thinking of my father, who survived a different crash with a different crew, and who came home at the end of the war but still died too young--age 57, in 1978.  And I am thinking of the men he flew with and those he did not, and all the men and women who have died serving our country.  Sending love to all of them, and to Jim Drilling and his dad Lt. John E. Drilling, Ernie Haar and his family (including my Facebook friend Cris Haar Payne); Ed Alexander and his family; the late Lt. Charles Arnett and his family Anna, Paul, David, and others; the beloved Norma and late Lt. Bill Beasley; all the 492nd; and the Band of Cousins including Brian Mahoney, Pat Byrne, and everyone I've met and haven't yet met.  
Thanks also to my sister Maureen Rice Onorato and our cousin Thomas Brielmann, for his constant encouragement and following our father's B-24 story so closely.
[the photo at top of page shows Lt. John Simon pinning a medal on my father, Lt. Thomas F. Rice.  Going down the page, photos of B-24 Liberators, the air base at North Pickenham, and the Simon Crew with notes penned on the back. So painful to know John Simon died soon after this photo was taken.  Love to him and his family.]

 

 

A few thoughts on sisters, love, and the worst that can happen

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Little Night by Luanne Rice (Paperback)

Soon, on June 25, Little Night will be out in paperback.  There's a new cover--different from the hardcover, which showed Poet's Walk in midnight blue wonder.  This cover, propped up on my desk, draws my eye again and again.  Two girls are hurrying along, holding hands, seemingly on their way to somewhere wonderful--one wears a crimson party dress, the other a carefree summer frock.  They're sisters--there can be no doubt.  It's the magic hour; the sun has gone down, but it still holds the day's golden light in its darkening blue. I wrote Little Night as an elegy to all sisters who are, or who have been estranged, who have deep childhood memories and love for each other, but whom life has torn apart.  That's how it feels to lose a sister to estrangement--as if  a limb has been ripped from your body, as if you're no longer the full person you once were.  How can you be, who are you anymore, without your sister?

This week I watched the victim impact statements, given by Steven and Samantha Alexander, in the Jodi Arias trial in Maricopa County, AZ.  I cried along with each as they addressed the jury because I could feel the pain in their words, the heartbreak and devastation over losing their sibling--their brother Travis.  They spoke of how their family will never be the same with him gone.

Gone forever: unfathomable to think, to know, you'll never see your sibling again.

In Little Night Clare took action that Anne cannot forgive and Anne cuts her out.  It's not death, but the estrangement is total--no contact for years.  Years in sister terms are a lifetime.  In real life we sometimes speak out, shout out, fail to bite our tongues, speak from the heart, speak from the gut, speak without thinking, speak after endless thinking--our intentions might be good, but they scrape our sister raw.  She's not ready to hear.  Or she'll never be ready to hear.  You've gotten your facts wrong. You've attacked the man she loves.  You've attacked her life and she'll never forgive you.  She's out of there, and if you try to call she'll hang up and if you email she'll block your address.

These are ideas I explored in Little Night.  What to say, how to act, is great action required when you think your sibling is in danger?  The novel opens with Clare in prison.  She has struck out with violence because, believing Anne's life was in danger, she attacked her sister's abuser.  How do the sister's relationships go on from there?  My mind is full of siblings who have lost each other.  I followed a murder trial years ago.  Ellen Sherman was murdered by her husband Ed, leaving behind a daughter, mother, sister, and friends.  I keep thinking of her sister.

Domestic violence played a role in Ellen's death, as it does in Little Night.  I know a lot about domestic violence, more than I wish I did.  I've written about my experience in It Couldn't Happen to Me.

My thoughts go to my own family.  In our case the missing sister is still alive.  It's her choice to stay away.  There is a special anguish knowing the sister you love so much is out there, but you can't reach her.  In fact, you might have been the one to drive her away.

For now I look at the paperback cover, at those two lovely sisters, and I imagine they are taking care of each other, hurrying toward something wonderful.  And they are going there together.  It gives me peace, eases my heart.

Happy Mother's Day!

with mom at the old saybrook train stationI miss my mom.  I think of her every day.  There are so many things I want to talk to her about.  She had a unique sense of humor and I'll catch myself laughing at sights or phrases or stories that I know she'd so enjoy.  So much of what I love in life came from her: gardening, swimming in the ocean, cooking, poems, English literature, art.  I didn't inherit her talent for drawing and painting (although both my sisters did,) but I do have her love of art galleries and museums.  So often I'll see an exhibit and think of her, and wish she were there to see the artist's work with me. She loved the beach, and I'm sure that's one reason I'm happiest with bare feet, walking along the tide line.  We would spend summer days building sandcastles, finding shells and sea glass, swimming to the raft, crabbing at the end of the beach.  Often she would sketch while my sisters and I played and swam; frequently we'd all be reading, covered with sunscreen, lost in our books.

When I grew up and moved to New York City, I'd take Amtrak to Old Saybrook CT nearly every weekend.  My mother would meet the train, no matter what time it was; Sundays came too soon, and I'd never want to leave.  The photo above (taken in 1988 or so) shows us at the train station, waiting for the train back to NY.  I read her expression and know she wasn't ready for me to leave.  The picture brings back that moment and many emotions.

She died way too young, after a long illness.  After her death I was filled with memories of nurses and hospitals and the great sadness of losing her slowly.  But time has passed, and you know what?  I rarely think of her illness anymore.  The gift of time has been that I remember my mother being young and healthy, painting nearly every day, writing every night.  I remember watching Julia Child on Saturday afternoons, then cooking dinner together--sitting around the table at Hubbard's Point, enjoying the meal with my sister and her family, laughing and talking and feeling that it would last forever, that our family would go on forever.

I wrote about her in an essay called "Midnight Typing."  It appears in the collection What My Mother Gave Me, edited by Elizabeth Benedict.  Please comment below for the chance to win a copy of the book as well as a canvas tote bag printed with the cover of The Lemon Orchard.  I'd love to know about your mother, hear your stories and memories.

[UPDATE 5/12: Congratulations to Leela FitzGerald, our Mother's Day winner!]

A Place to Call Home

homeWhere is it for you?  In The Lemon Orchard Julia drives cross-country from Old Lyme CT to Malibu CA.  She's lived her whole life on the east coast, but something inside is driving her to find a new place, make sense of life's events, hold tight to her some treasured ideas and let go of others.  She might not know it at first, but she's looking for a new home. Do you live in the same home town where you grew up?  Have you moved half a world away?  Do you love to visit the places you spent your childhood summers or have you explored new territories?

I've done both.  I love the Old Lyme beach cottage my grandparents built, and I've also left the familiar behind to search out new places.  It's not that one is better than the other; it's more a matter of listening to that inner voice and following where it leads.  Home is where the cats are, a place to sit quietly to think and write and read, a comfy chair in the shade.

What is the place that you call home?

[UPDATE May 7: Congratulations Rachel Hartwig on winning this week's drawing!]

A Tale of Two Bonnies

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In The Lemon Orchard, Julia drives cross-country with Bonnie Blue--the family dog, a thirteen-year old Blue Merle Collie that had belonged to her daughter Jenny. They left Old Lyme CT and drove all the way to Malibu CA--from the Atlantic to the Pacific--to housesit Julia's uncle's villa in a lemon orchard in the Santa Monica Mountains. I loved imagining that road trip because I know what good companionship and comfort animal friends can be. Bonnie, the collie in the novel, was inspired by a real-life Blue Merle collie that I knew when I was young. She lived with the family across the street; I babysat for the children and hung out at their house almost every day. Bonnie was a sweet, beautiful dog. Her coat was lovely--long and flowing, marked with shades of gray and blue. She ran through the fields with us, tromped through deep snow when we'd hike to to skating pond and sledding hill, slept at my feet after the kids went to sleep, rested her chin on her paws and gazed up with such soulful eyes, I could almost read the love she had for that family. So, two Bonnies--one that lives in my heart and memory, another that lives on the pages of The Lemon Orchard--soothing Julia, connecting her with her daughter Jenny. Or maybe they are one and the same... Please comment below to be entered in our weekly drawing. Good luck!

[April 30: Congratulations to Alicia Mylott for winning this week's drawing!]

Love to you, Boston

450px-OldSouthChurchBoston Boston belongs to school kids everywhere. When we were young, at R. J. Vance Elementary in New Britain, Connecticut, we could count on two annual field trips: one to the Boston Freedom Trail, the other to the Boston Museum of Science. At the museum we saw chicks hatching in incubators, fuzzy new life, and Foucault’s Pendulum, proving that the earth is not stationary but in constant rotation. The Freedom Trail took us from Boston Common past historic sites including—this sticks in my mind—the Granary Burying Ground with Mother Goose’s grave. Although I’ve never lived in Boston, yesterday’s bombing felt personal. I think it did to everyone. The Boston Marathon is one of the world’s great sporting events. I can picture the finish line and feel the emotions of joy, exhilaration, exhaustion—people cheering their loved ones on, eight-year old Martin Richard of Dorchester waiting, watching for his dad to run past. The cruelest bomb, if there is such a thing, placed in a location of celebration and victory, is designed for maximum injury, destruction, and trauma. News cameras showed slashed bodies and pools of blood. Graphic, visceral images I can’t get out of my mind. And that place: that familiar stretch of Boylston Street, so near the Boston Public Library, where I spent hours researching and writing a never-published first book that I walked across the Common to hand-deliver to a publisher on Park Street. 951 Boylston Street once housed the Institute of Contemporary Art, where one literary evening I saw Tobias Wolff introduce Mary Robison, and she stood at the podium reading new work and drinking a beer, and the moment is emblazoned in my memory--a great and raucous gathering to celebrate a new collection of short stories. My parents spent their wedding night at the Copley Plaza Hotel—many parents did, many friends did. My niece won a poetry prize at Regis College, and we held a celebratory dinner at a restaurant on Boylston Street. Our family sat around a big table with friends and young poets, and afterwards, in cold spring snow, we walked outside, right past the spot where yesterday the bombs went off. There are moments in life you’ll always remember: where were you when you heard? Equally there are places in life that will gain new meaning after a tragedy—we were right there, we walked down that very street. This is human, a drawing together, touching the spot where others suffered, connecting through our hearts. Right now I’m in California. The sky is bright blue. The breeze blows off the Pacific, not the Atlantic. But my heart is in New England. I can see the spring trees just starting to bud, can imagine sunlight reflecting on the McKim Building of the Boston Public Library. I can picture the yellow and red sandstone campanile of New Old South Church—shown so prominently in the news photos—towering over Boylston Street. A good friend works at Massachusetts General Hospital, helping trauma victims, and I know that and other hospitals are flooded with those needing help. I’m far away, but I’m also right there, my heart and thoughts. So many of us are. Love to you, Boston.

This Week's Drawing

The Lemon Orchard Welcome friends!! Please comment on this thread the chance to win an ARC of The Lemon Orchard as well as a special tote bag. We will notify the winner on Monday April 22. Good luck! Love, Luanne

[UPDATE 4/22: Congratulations to Belinda Daniels Guy our latest giveaway winner! We hope she enjoys her advance copy THE LEMON ORCHARD as well as a tote bag featuring the novel's cover.]